Water Glass: a caustic light portrait AI photoshoot

Water Glass is a set of very close black-and-white portraits in which a sunbeam passes through a ribbed tumbler of water and lays bright, rippling lines across the face, neck and hands. Five frames push the head to the edge of the picture beside a field of dark wall, and a sixth studies wet knit and silver rings.
Art direction: Alex But
- Camera
- 35 mm SLR
- Lens
- 105 mm macro
- Aperture
- f/4
- Shutter
- 1/125 s
- Film
- ISO 100 black and white
- Light
- Sun through a glass of water
Best for
Six frames from this shoot
Five frames and one detail, made by haloshot from three phone photos of one person.

Frame 1 · Water Glass 
Frame 2 · Water Glass 
Frame 3 · Water Glass 
Frame 4 · Water Glass 
Frame 5 · Water Glass 
Detail · Water Glass
About the refracted light look
One window carries the afternoon sun. A thin cotton curtain softens most of it into a gentle side key, while a narrow raw beam at the curtain's edge strikes the glass on the sill and throws the caustic pattern. The 105 mm macro lens at f/4 keeps one eye or an ear sharp and lets the rest fall away within centimeters. At 1/125 s the ripples stop mid-wave in fine ISO 100 grain.
Clothes, place and when to pick it
haloshot gives women a black rib-knit high neck with pushed-up sleeves and two stacking rings, and men a fitted rib-knit with a double-folded collar and two band rings. Both keep a small silver ear cuff, and water droplets bead on the wool. The room is plain and dim beside a sunny window. It suits album art or a striking portrait of your own face.
How it works
Add three photos of yourself: face, half turn and full length. haloshot renders a free five-frame preview of Water Glass with your face. Pick the frames you like and keep them in 4:5 HD.
How to make caustic light with a glass of water
Caustics appear when direct sun passes through rippled glass and water and focuses into bright, wavering lines. Keep the rest of the room soft and dim.
- Hang a thin cotton curtain over a sunny window, leaving a 10 cm gap where raw sun hits the sill.
- Stand a ribbed tumbler of water in that beam and move the subject until lines cross the cheek or neck.
- Brace an SLR and 105 mm macro on a table 60 to 90 cm away: f/4, 1/125 s, ISO 100 black-and-white film.
- Tap the glass between frames to shift the pattern, and mist the knit for droplets.
The beam moves with the sun; re-place the glass every 15 minutes.
Set notes by Alex But, art director · Updated
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