Haze Cone: a spotlight portrait AI photoshoot

You get one hard spotlight in a dark, hazy studio: a crisp oval on the black floor, a visible cone overhead and a figure stepping into and along its edge. Everything outside the beam falls away to near black.
Art direction: Alex But
- Lens
- 85 mm
- Aperture
- f/2.8
- Shutter
- 1/160 s
- Light
- One hard spotlight in haze
Best for
Six frames from this shoot
Five frames and one detail, made by haloshot from three phone photos of one person.

Frame 1 · Haze Cone 
Frame 2 · Haze Cone 
Frame 3 · Haze Cone 
Frame 4 · Haze Cone 
Frame 5 · Haze Cone 
Detail · Haze Cone
About the single spotlight look
A profile spot with shuttered edges hangs about six meters up and 45 degrees to one side, warm-white and ungelled. Thin haze shows its path from the upper corner, and the hard light rakes across wool so every seam and fold stands out. From nine meters back, an 85 mm at f/2.8 and 1/160 s keeps the figure sharp and the far darkness soft.
Clothes, place and when to pick it
haloshot dresses women in a charcoal boiled-wool coat over a stiff pleated ankle skirt, and men in a long black boiled-wool coat with a sculpted back over very wide trousers, both in tall lace-up boots. Nothing else in the big black studio is lit. Pick it for a dance program, a fashion portfolio or a quiet cover with your face caught in the beam.
How it works
Add three photos of yourself: face, half turn and full length. haloshot renders a free five-frame preview of Haze Cone with your face. Pick the frames you like and keep them in 4:5 HD.
How to light a portrait with one spotlight in haze
A theatrical profile spot gives the hard, shuttered edge, and thin haze makes the beam visible in the air. Every other light in the room, work lights included, stays off.
- Book a black studio or stage and rig an ellipsoidal or LED profile spot about 6 m up, 45 degrees off axis.
- Cut the floor oval with the shutters, sharpen its edge with the barrel focus, and run a hazer low.
- Shoot the 85 mm at f/2.8, 1/160 s from 9 m at waist height, raising ISO for beam detail.
- Tape the oval edge so the model finds the light line without looking down.
Use a water-based hazer and ask the venue to isolate smoke detectors first.
Set notes by Alex But, art director · Updated
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